(Original blog text) I am so proud of this project. I spent a lot of time and energy into making the costumes, headpieces, and backdrops. I made (almost) everything you see on the models using wire, recycled jewelry, and other craft items.
This was my final project for my conceptual class and my final project at the Academy of Art so I wanted to go out with a bang and I really think I achieved what I wanted and more.
Each deity has two photos and four polaroids.
4/6/2016 I've rewritten problematic language and representation that was present in this work. When I originally published this series, I lacked a deeper understanding of inherent issues regarding language and (mis)representation, of my privilege, of my place as an artist, and what it means to tell the stories of others, even if they are fictional. The writings accompanying the photos in this series were riddled with archaic ideas of gender and sex binaries, assuming the form of clumsy mimics of what I thought was a ~classic mythology~ tone. I blindly rewrote tired cliches and mythologies. And though, at the time, I specifically chose to present women and people of color in what I thought was an empowering way, and actively chose to not present white maleness, I still failed in many ways. I failed by not understanding that perspectives and stories exist, and hold more richness, truth, validity, and value written and created by those I wanted to display. I realized, by trying to create mythology that was more inclusive and diverse, I was painting with broad strokes. I am lucky to have had such incredible models to collaborate with for this project, who were kind enough to allow me to weave a narrative with their images and likenesses. And I still take pride in this series, but I've felt a pressing weight to acknowledge the blatant misrepresentations I created; to correct and remove, to the best of my ability, the imperialistic, western, patriarchal, racist, and misogynistic presence in this work. And I will continue to do so in my work, in my life, and in my self. I'm not asking for validation or approval. I'm not asking to be commended for my efforts. As a person who possesses white-passing privileges and male privileges, it is my duty (and the duty of people who possess similar positions of privilege) to be aware of the impact that our representations of others have. To acknowledge that our privileged places in society grant us, and our art, more and easier access and acceptance. And to promote and amplify voices different from our own.
So here are some titles to enjoy by various incredible artists who are creating their own representations:
salt. by Nayyirah Waheed
So here are some titles to enjoy by various incredible artists who are creating their own representations:
salt. by Nayyirah Waheed
http://www.amazon.com/salt-Nayyirah-Waheed/dp/1492238287
bone by Yrsa Daley-Ward
http://www.amazon.com/bone-Yrsa-Daley-Ward/dp/1499170718
Milk and Honey by Rupi Kaur
http://www.amazon.com/Milk-Honey-Rupi-Kaur/dp/144947425X
The Anatomy of Being by Shinji Moon
http://www.amazon.com/The-Anatomy-Being-Shinji-Moon/dp/1300631759
There was a time of gods. Places where titanous forces met in volcanic explosions, creating new life and new land on Earth, raining down from the heavens. These gods were not those resembling any human form, they were concepts of change, monstrous catalysts that shaped the face of the earth: destruction, creation, and expansion. As we began to blossom onto the face of the planet, these gods began to assume human form, taking from our faults, needs, and wants, each ideas that are rooted deep within us.
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There is Arreat
Arreat is power, creation. He with fingers pulled the earth to tips. And with palms pushed the deepest of valleys. He is what pushes us, too. He is our fire, our strength. Our loyalty and passion. He is movement and roots.
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There is Himé
Himé is will. She posseses within her, core, molten. We have, in trying to achieve her grandeur have failed in ways of greed. Mistaken her abundance for wealth. Taken her honesty as vanity. Her complexity as facade. Her intelligence as arrogance. She with ease holds tight the chain link of space. With her hands, she weaves the fabrics of ether, from dust to light. From chaos to order.
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There is Flora
Flora brings new life to fruition and gives old souls back to the earth to be recycled, forever nourishing the planet and the life on it. Flora is the flowers in spring, the maggots in the corpses, birth, the rooting trees. She is change, she is nourish. She is life. One of the eldest gods, she was one of the main forces that pushed Earth to spin.
There is Pherra
Pherra is wild. She is chaos and quickness. Protector and entropy. Without her, there would be no push. There would be no balance, and no death. She is inevitability. She is uncertainty. Through her careful actions, she steers the endless possibilities like ships gliding on fog. Ever-present.
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ORIGINAL TEXT
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ORIGINAL TEXT
There was a time of gods. Places where titanous forces met in volcanic explosions, creating new life and new land on Earth, raining down from the heavens. These gods were not those resembling any human form, they were concepts of change, monstrous catalysts that shaped the face of the earth: destruction, creation, and expansion. As man and woman began to blossom on the face of the planet, these gods began to assume human form, taking from our faults and needs and wants, each ideas that are rooted deep within us.
There is Arreat, the god of war.
Arreat thirsts for blood, for carnage, creation through destruction. Ordained with the sacred purpose of survival and conquering. Arreat is man’s most basic sense of violence and bloodshed. He is what pushes man to survive, to kill, to push forward as a species.
There is Himé, the goddess of wealth.
Himé, bathed in an abundance of riches and gold, craves more. She pulls man towards excess with greed’s siren song and traps them in a cycle of despair. Buddhists refer to Himé as the root of all human suffering. She is intoxicating and desirable. Her forces have toppled empires. They cause thievery, murder, and deception. She embodies internal conflict.
There is Flora, the goddess of fertility.
Flora brings new life to fruition and gives old souls back to the earth to be recycled, forever nourishing the planet and the life on it. Flora is the flowers in spring, the maggots in the corpse, the baby being born, the rooting trees. She is change, desire, sex, reproduction. She is life. One of the eldest gods, she was one of the main forces that pushed Earth to spin.
There is Pherra, the goddess of the hunt.
THIS. IS. BEAUTIFUL.
ReplyDelete(And all your previous ones.)
I hope you do well for your project! C:
Awesome. Absolutely stunning!
ReplyDeleteJust wow, wow, wow.